Death in Venice

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…ith complex motivations. Snow Crash has a bitmap pattern that can hack into programmers’ brains and knock them unconscious and the complete collapse of nation-states and The Diamond Age has pervasive nanotechnology. Dune has gigantic sand worms and psycho telepaths. China Miéville’s books have giant mutant bird-people. Speaker for the Dead includes aliens, artificial superintelligence, faster-than-light communication. &c. &c. &c. “Real literature” (any way you define it) has many of the same building-blocks: gods (The Illiad), fairies (Twelfth Night), voyages through the underworld (Dante’s Inferno), characters who hop from one body to another (Death in Venice), interesting new interpretations of language and cognition and radically different cultural/social customs, etc. etc. But works (including those set in space) that oversimplify and…